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PHARRELL
Place: Orleans, France
Time: 1am
Settings: My Laptop is on my bed, I'm drinking some cherry coke, and I'm on the 4th floor.
Ichat: I'm speaking to Rayna, Idibi and Elodie.
Je construis mes playlist comme des histoires d'amour, mais pas comme mes histoires d'amour, car celles de mes sets finissent généralement bien. J'ai réalise ce mix en live avec Traktor 3, sans controleur, sans monitoring, le tout directement enregistré dans Adobe Audition 1.5 via le mix stereo de la carte son interne de mon laptop. Les morceaux sont enchainés en créant une boucle de 2, 4, ou 8 mesures. Ces 6 morceaux sont exactement ce que je pourrai passer au milieu d'un set vers 4h du matin, chaque morceau étant un baiser avec le mur de sécurité d'une autoroute. J'envisage toujours mes sets comme une longue course, mais pas des tours de stades, plutot une course d'obstacle, pour surprendre le danseur, le reveiller l'espace d'un instant de son ivresse, de son absence, lui rappeler que le beat peut s'arreter pour un long break.
google translator says: I build my playlist like stories of love, but not like my stories of love, because those of my sets finish generally well. I have carry out this mix into live with Traktor 3, without controller, without monitoring, the whole directly recorded in Adobe Hearing 1.5 via the mix stereophony of the chart his intern of my laptop. The pieces are enchainés by creating a loop of 2, 4, or 8 measurements. These 6 pieces are exactly what I will be able to pass in the middle of a set towards 4h of the morning, each piece being a kiss with the wall of safety of a motorway. I always consider my sets like a long race, but not of the turns of stages, rather an obstacle race, to surprise the dancer, to awake it the one moment space of his intoxication, of his absence, to recall him that the happy one can stop for a long station-wagon.
01. One-Two - O Hot Brain (Destroyed by Pedro & Panama): This remix is like a melodic riot, or better, like an online war video game.
02. Uzi Suicide - 1971 (Passions remix): I've made a loop with 2 kicks and the dirty noise of the intro, all the track is a game beetween light and dark.
03. Van She Tech vs Utah Saints - Something Good: I've made a loop of 4 kicks to mix with the Uzi Suicide tracks, Van She Tech always bring more and more and more energy, and the voice is so perfect, the end of the tracks sounds like a big mess, but always controlled.
04. Guns'n'Bombs - Nothing Is Getting Us Anywhere (Acid Girls remix): This song is just a BANGER, The wave doing "muhumuhumuhu" with a discret kicks is perfect at the beginning and Jamie & Greg of Acid Girls drop the acid "ouh ouh ouh" with some smart glitches. The end is just a big fireworks.
05. Remute - Please Say Something (Christopher Just remix): One, two, one, two, so binary, the medium break is so peacefull, and bring a big fresh time in this loud remix.
06. Robin S - Show Me Love: Dance classic, need I add something?
.
PHARRELL
Place: Orleans, France
Time: 1am
Settings: My Laptop is on my bed, I'm drinking some cherry coke, and I'm on the 4th floor.
Ichat: I'm speaking to Rayna, Idibi and Elodie.
Je construis mes playlist comme des histoires d'amour, mais pas comme mes histoires d'amour, car celles de mes sets finissent généralement bien. J'ai réalise ce mix en live avec Traktor 3, sans controleur, sans monitoring, le tout directement enregistré dans Adobe Audition 1.5 via le mix stereo de la carte son interne de mon laptop. Les morceaux sont enchainés en créant une boucle de 2, 4, ou 8 mesures. Ces 6 morceaux sont exactement ce que je pourrai passer au milieu d'un set vers 4h du matin, chaque morceau étant un baiser avec le mur de sécurité d'une autoroute. J'envisage toujours mes sets comme une longue course, mais pas des tours de stades, plutot une course d'obstacle, pour surprendre le danseur, le reveiller l'espace d'un instant de son ivresse, de son absence, lui rappeler que le beat peut s'arreter pour un long break.
google translator says: I build my playlist like stories of love, but not like my stories of love, because those of my sets finish generally well. I have carry out this mix into live with Traktor 3, without controller, without monitoring, the whole directly recorded in Adobe Hearing 1.5 via the mix stereophony of the chart his intern of my laptop. The pieces are enchainés by creating a loop of 2, 4, or 8 measurements. These 6 pieces are exactly what I will be able to pass in the middle of a set towards 4h of the morning, each piece being a kiss with the wall of safety of a motorway. I always consider my sets like a long race, but not of the turns of stages, rather an obstacle race, to surprise the dancer, to awake it the one moment space of his intoxication, of his absence, to recall him that the happy one can stop for a long station-wagon.
01. One-Two - O Hot Brain (Destroyed by Pedro & Panama): This remix is like a melodic riot, or better, like an online war video game.
02. Uzi Suicide - 1971 (Passions remix): I've made a loop with 2 kicks and the dirty noise of the intro, all the track is a game beetween light and dark.
03. Van She Tech vs Utah Saints - Something Good: I've made a loop of 4 kicks to mix with the Uzi Suicide tracks, Van She Tech always bring more and more and more energy, and the voice is so perfect, the end of the tracks sounds like a big mess, but always controlled.
04. Guns'n'Bombs - Nothing Is Getting Us Anywhere (Acid Girls remix): This song is just a BANGER, The wave doing "muhumuhumuhu" with a discret kicks is perfect at the beginning and Jamie & Greg of Acid Girls drop the acid "ouh ouh ouh" with some smart glitches. The end is just a big fireworks.
05. Remute - Please Say Something (Christopher Just remix): One, two, one, two, so binary, the medium break is so peacefull, and bring a big fresh time in this loud remix.
06. Robin S - Show Me Love: Dance classic, need I add something?
5 Comments:
you are awesome! didn't know any other way to get in contact with you, so you're stuck with this comment. ta ta!
Pharrell, c'est de la gelée royale.
Pharrell, this is some royal jelly, hum hum.
Pharrell, tu crois que si on construisait nos histoires d'amour en live avec Traktor 3, sans controleur, sans monitoring, le tout directement enregistré dans Adobe Audition 1.5 via le mix stereo de la carte son interne de nos laptops, elles finiraient bien ?
Pharrell, do you think that if we built our "sories of love" with Traktor 3, without controller, without monitoring, the whole directly recorded in Adobe Hearing 1.5 via the mix stereophony of the chart his intern of our laptops, they would end well?
I'll try.
on dirait monsieur P ! rires
dj mr P ?
this is a great mix. i really like what you're doing here on your blog.
great mix, lovely site. th xx
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